I get on my high horse and write a post like the previous. Feels great, as if the air I breathe has an exquisite chemistry not available here below. I may not be the best at high styles, and I only imply any doubt because no one else has ever read my journals, and I like to make things seem mysterious sometimes, but if I'm not the best, and I certainly don't think I am, the point is, anyway, that I step down and write to you on levels even more frank and ordinary than this right now. Any writer can seem a real ass, because he takes language and tries to fix it in place by pen or some form of type, as if to lay down some kind of law, when everybody knows words are native by speech alone.
There I was riding on my Black Charger the other day, or so it seemed, and now that I try to make a little fun of it rather unsuccessfully, you might ask what's real and what isn't. Hemingway's conclusion to Islands in the Stream. I lived alone in Surf City, New Jersey. November 1982. Refusing to watch TV, only to read and write, besides treading clams, I did watch once. The movie version of that Hemingway novel. An ending absolutely unforgettable. The actor's deep voice as if Hemingway's own:
"It is all true."
There I was riding on my Black Charger the other day, or so it seemed, and now that I try to make a little fun of it rather unsuccessfully, you might ask what's real and what isn't. Hemingway's conclusion to Islands in the Stream. I lived alone in Surf City, New Jersey. November 1982. Refusing to watch TV, only to read and write, besides treading clams, I did watch once. The movie version of that Hemingway novel. An ending absolutely unforgettable. The actor's deep voice as if Hemingway's own:
"It is all true."
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